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 CHAPTER XXII. 
 
THEY swarmed up towards Sherburn's house, a- 
whooping and raging like Injuns, and everything 
had to clear the way or get run over and tromped to 
mush, and it was awful to see. Children was heeling 
it ahead of the mob, screaming and trying to get out 
of the way; and every window along the road was full 
of women's heads, and there was nigger boys in every 
tree, and bucks and wenches looking over every fence; 
and as soon as the mob would get nearly to them they 
would break and skaddle back out of reach. Lots of 
the women and girls was crying and taking on, scared 
most to death. 
 
They swarmed up in front of Sherburn's palings as 
thick as they could jam together, and you couldn't 
hear yourself think for the noise. It was a little 
twenty-foot yard. Some sung out "Tear down the 
fence! tear down the fence!" Then there was a 
racket of ripping and tearing and smashing, and down 
she goes, and the front wall of the crowd begins to 
roll in like a wave. 
 
Just then Sherburn steps out on to the roof of his 
little front porch, with a double-barrel gun in his hand, 
and takes his stand, perfectly ca'm and deliberate, not 
saying a word. The racket stopped, and the wave 
sucked back. 
 
Sherburn never said a word -- just stood there, look- 
ing down. The stillness was awful creepy and uncom- 
fortable. Sherburn run his eye slow along the crowd; 
and wherever it struck the people tried a little to out- 
gaze him, but they couldn't; they dropped their eyes 
and looked sneaky. Then pretty soon Sherburn sort 
of laughed; not the pleasant kind, but the kind that 
makes you feel like when you are eating bread that's 
got sand in it. 
 
Then he says, slow and scornful: 
 
"The idea of YOU lynching anybody! It's amusing. 
The idea of you thinking you had pluck enough to 
lynch a MAN! Because you're brave enough to tar and 
feather poor friendless cast-out women that come along 
here, did that make you think you had grit enough to 
lay your hands on a MAN? Why, a MAN'S safe in the 
hands of ten thousand of your kind -- as long as it's 
daytime and you're not behind him. 
 
"Do I know you? I know you clear through 
was born and raised in the South, and I've lived in the 
North; so I know the average all around. The 
average man's a coward. In the North he lets anybody 
walk over him that wants to, and goes home and prays 
for a humble spirit to bear it. In the South one man 
all by himself, has stopped a stage full of men in the 
daytime, and robbed the lot. Your newspapers call 
you a brave people so much that you think you are 
braver than any other people -- whereas you're just AS 
brave, and no braver. Why don't your juries hang 
murderers? Because they're afraid the man's friends 
will shoot them in the back, in the dark -- and it's just 
what they WOULD do. 
 
"So they always acquit; and then a MAN goes in 
the night, with a hundred masked cowards at his back 
and lynches the rascal. Your mistake is, that you 
didn't bring a man with you; that's one mistake, and 
the other is that you didn't come in the dark and fetch 
your masks. You brought PART of a man -- Buck 
Harkness, there -- and if you hadn't had him to start 
you, you'd a taken it out in blowing. 
 
"You didn't want to come. The average man 
don't like trouble and danger. YOU don't like trouble 
and danger. But if only HALF a man -- like Buck 
Harkness, there -- shouts 'Lynch him! lynch him!' 
you're afraid to back down -- afraid you'll be found 
out to be what you are -- COWARDS -- and so you raise 
a yell, and hang yourselves on to that half-a-man's 
coat-tail, and come raging up here, swearing what big 
things you're going to do. The pitifulest thing out is 
a mob; that's what an army is -- a mob; they don't 
fight with courage that's born in them, but with cour- 
age that's borrowed from their mass, and from their 
officers. But a mob without any MAN at the head of 
it is BENEATH pitifulness. Now the thing for YOU to do 
is to droop your tails and go home and crawl in a 
hole. If any real lynching's going to be done it will 
be done in the dark, Southern fashion; and when they 
come they'll bring their masks, and fetch a MAN along. 
Now LEAVE -- and take your half-a-man with you" -- 
tossing his gun up across his left arm and cocking it 
when he says this. 
 
The crowd washed back sudden, and then broke all 
apart, and went tearing off every which way, and Buck 
Harkness he heeled it after them, looking tolerable cheap. 
I could a stayed if I wanted to, but I didn't want to. 
 
I went to the circus and loafed around the back side 
till the watchman went by, and then dived in under the 
tent. I had my twenty-dollar gold piece and some 
other money, but I reckoned I better save it, because 
there ain't no telling how soon you are going to need 
it, away from home and amongst strangers that way. 
You can't be too careful. I ain't opposed to spending 
money on circuses when there ain't no other way, but 
there ain't no use in WASTING it on them. 
 
It was a real bully circus. It was the splendidest 
sight that ever was when they all come riding in, two 
and two, a gentleman and lady, side by side, the men 
just in their drawers and undershirts, and no shoes nor 
stirrups, and resting their hands on their thighs easy 
and comfortable -- there must a been twenty of them 
-- and every lady with a lovely complexion, and per- 
fectly beautiful, and looking just like a gang of real 
sure-enough queens, and dressed in clothes that cost 
millions of dollars, and just littered with diamonds. It 
was a powerful fine sight; I never see anything so 
lovely. And then one by one they got up and stood, 
and went a-weaving around the ring so gentle and 
wavy and graceful, the men looking ever so tall and airy 
and straight, with their heads bobbing and skimming 
along, away up there under the tent-roof, and every 
lady's rose-leafy dress flapping soft and silky around 
her hips, and she looking like the most loveliest parasol. 
 
And then faster and faster they went, all of them 
dancing, first one foot out in the air and then the other, 
the horses leaning more and more, and the ringmaster 
going round and round the center-pole, cracking his 
whip and shouting "Hi! -- hi!" and the clown crack- 
ing jokes behind him; and by and by all hands dropped 
the reins, and every lady put her knuckles on her hips 
and every gentleman folded his arms, and then how 
the horses did lean over and hump themselves! And 
so one after the other they all skipped off into the 
ring, and made the sweetest bow I ever see, and then 
scampered out, and everybody clapped their hands and 
went just about wild. 
 
Well, all through the circus they done the most 
astonishing things; and all the time that clown carried 
on so it most killed the people. The ringmaster 
couldn't ever say a word to him but he was back at 
him quick as a wink with the funniest things a body 
ever said; and how he ever COULD think of so many of 
them, and so sudden and so pat, was what I couldn't 
noway understand. Why, I couldn't a thought of 
them in a year. And by and by a drunk man tried to 
get into the ring -- said he wanted to ride; said he 
could ride as well as anybody that ever was. They 
argued and tried to keep him out, but he wouldn't 
listen, and the whole show come to a standstill. Then 
the people begun to holler at him and make fun of 
him, and that made him mad, and he begun to rip 
and tear; so that stirred up the people, and a lot of 
men begun to pile down off of the benches and swarm 
towards the ring, saying, "Knock him down! throw 
him out!" and one or two women begun to scream. 
So, then, the ringmaster he made a little speech, and 
said he hoped there wouldn't be no disturbance, and if 
the man would promise he wouldn't make no more 
trouble he would let him ride if he thought he could 
stay on the horse. So everybody laughed and said all 
right, and the man got on. The minute he was on, 
the horse begun to rip and tear and jump and cavort 
around, with two circus men hanging on to his bridle 
trying to hold him, and the drunk man hanging on to 
his neck, and his heels flying in the air every jump, 
and the whole crowd of people standing up shouting 
and laughing till tears rolled down. And at last, sure 
enough, all the circus men could do, the horse broke 
loose, and away he went like the very nation, round 
and round the ring, with that sot laying down on him 
and hanging to his neck, with first one leg hanging 
most to the ground on one side, and then t'other one 
on t'other side, and the people just crazy. It warn't 
funny to me, though; I was all of a tremble to see his 
danger. But pretty soon he struggled up astraddle 
and grabbed the bridle, a-reeling this way and that; and 
the next minute he sprung up and dropped the bridle 
and stood! and the horse a-going like a house afire 
too. He just stood up there, a-sailing around as easy 
and comfortable as if he warn't ever drunk in his life 
-- and then he begun to pull off his clothes and sling 
them. He shed them so thick they kind of clogged 
up the air, and altogether he shed seventeen suits. 
And, then, there he was, slim and handsome, and 
dressed the gaudiest and prettiest you ever saw, and 
he lit into that horse with his whip and made him fairly 
hum -- and finally skipped off, and made his bow and 
danced off to the dressing-room, and everybody just 
a-howling with pleasure and astonishment. 
 
Then the ringmaster he see how he had been fooled, 
and he WAS the sickest ringmaster you ever see, I 
reckon. Why, it was one of his own men! He had 
got up that joke all out of his own head, and never let 
on to nobody. Well, I felt sheepish enough to be 
took in so, but I wouldn't a been in that ringmaster's 
place, not for a thousand dollars. I don't know; 
there may be bullier circuses than what that one was, 
but I never struck them yet. Anyways, it was plenty 
good enough for ME; and wherever I run across it, it 
can have all of MY custom every time. 
 
Well, that night we had OUR show; but there warn't 
only about twelve people there -- just enough to pay 
expenses. And they laughed all the time, and that 
made the duke mad; and everybody left, anyway, 
before the show was over, but one boy which was 
asleep. So the duke said these Arkansaw lunkheads 
couldn't come up to Shakespeare; what they wanted 
was low comedy -- and maybe something ruther worse 
than low comedy, he reckoned. He said he could 
size their style. So next morning he got some big 
sheets of wrapping paper and some black paint, and 
drawed off some handbills, and stuck them up all over 
the village. The bills said: 
 
AT THE COURT HOUSE! 
FOR 3 NIGHTS ONLY! 
The World-Renowned Tragedians 
DAVID GARRICK THE YOUNGER! 
AND 
EDMUND KEAN THE ELDER! 
Of the London and Continental Theatres, 
In their Thrilling Tragedy of 
THE KING'S CAMELEOPARD, 
OR 
THE ROYAL NONESUCH ! ! ! 
Admission 50 cents. 
 
Then at the bottom was the biggest line of all, which said: 
 
LADIES AND CHILDREN NOT ADMITTED. 
 
"There," says he, "if that line don't fetch them, I 
don't know Arkansaw!" 
  
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